The ritual

It’s a thing that I do. Something that, I feel, is a gesture of kindness for those who don’t get to go out, because I was in that subgroup a little under two months from the day I write this. Just that in this case, the individual is in question is a cat, but Blu never feels like just a cat to me. She is my roommate, and she has every right to experience the world, even vicariously.

When I go out for my walks and rides and what not, I encounter quadrupeds—if you want to really be limiting, I mean cats and dogs. Just yesterday, I wrote on my workplace chatting app that my “healthy” routine involved “rubbing up against quadrupeds at every possible instance.” So when I meet these “individuals”— on the street, in parks, or in my neighborhood—I let them rub against me, lick me, pass on their proteins on to my clothes and my skin.

And when I walk back in, the first thing I do is to look for Blu. She generally perches on top of something, especially when she is expecting someone to walk in the door, but when she is not too craving for her food. So I find her and I cup my hands, because hands are the receptacle of the world outside, for her, at least. She leans in deep, her smaller whiskers tickling me and her breath, in those tiny feline sniffs, warming my skin up ever so lightly even in the Mumbai heat. And of course, those gentle licks that pick up those finer nuances of the individuals’ personalities.

On a good day, she spends close to two minutes, taking it all in. Once done, she looks around, not quite convinced that the world has ended, thinking that there has to be more that she has failed to notice, more that she has left to explore.

Then I withdraw my hand and head to the washroom to wash my hands with water and soap, because I often need to at least drink something after I walk in. When dogs have done their rubbing up against my bare calves and shins, I posture myself trying to attract her attention toward what seems obvious to me, but cats are dumb in those very ways that we think they are smart, and she often completely overlooks.

But when she doesn’t, especially when there is some fabric to explore, especially something of the synthetic kind, the kind of fabric that often gets made into cycling shorts, she is more persistent. Probably because the fabric is perhaps a more efficient receptacle for all those complex proteins that must be tiny windows of the world outside for her.

I wish there was something like that for me. I mean, I wish there was someone would bring the outside world for me, to explore until I get tired of it.

Relatability and engagement

The third time is definitely better than the second, and way better than the first. It’s the inverse Hollinghurst sex-appreciation ratio, but I’m not talking about sex. It’s my third officially mandated COVID-19 infection, and even though I’m feeling a tad bit better than I felt yesterday, my nose feels stuffier and is leakier.

If you are wondering why I brought up Hollinghurst seemingly randomly, you won’t need to hold your breath too long, but I’m sure no one would have. I just hung up with Jay, both of us in different stages of dinner-time, with him feeling significantly better on the sixth day of his second official infection.

During the conversation, I spent about ten minutes explaining how not relatable Hollinghurst’s characters can be. Jay says I sound a lot like I’m complaining a lot about writing styles, which I have been with, but about China Miéville, for the last month or so.

But this time it is different. I can’t relate to job-non-requiring, sex-crazed, never-satiated, you English men who seem to know everything about a lot of things in the world. Men who seem to obsess about sex and the outlines of genitalia all day and yet have the cerebral means to critically comment on art, history, and handwriting just like they are buttering a toast.

Why should it bother me, he asked. I didn’t really have a good answer. Something that I could be proud of, something that is literary. And then I had it, while I was doing the dishes after my dinner, after having hung up with Jay, after having yet another disappointing conversation, where there seemed to be almost nothing that I could engage him with and vice versa.

The answer is this. I like the book (The Swimming Pool Library) a lot, but I want to like it even more, and the damn characters are getting in the way.

Reading while awaiting…

The day started with a mild worsening of symptoms of the viral illness that I seem to have. Of course, as any sensible citizen of the world, I have done the obvious, and so has Jay. We are both awaiting the results later tonight or early tomorrow morning. His symptoms are worse than mine, and they way more typical.

I am hoping that I would come negative, although I don’t expect to. Simply because Jay would likely come positive, and I must have gotten it from it. The perils of travel via airplanes in a year barely separated from the preceding one, in which the pandemic slowly receded from the public consciousness. It’s not like it’s gone, but people really want to believe that it has.

Quite charmingly/ironically, I find myself in the third part of the To Paradise, which is all about pandemics and viral illnesses and tragicomically inadequate responses by the society and the regulatory authorities, and I wonder how much inspiration Hanya Yanigahara took from the actual response to COVID-19 in early 2020.

It’s also a day when I finished (the awful) The Scar by China Miéville. It’s my third in about three days, with Leviathan Falls and Midnight’s Children as the other two. This obviously means that I have permission—self-given—to start new books. And so I have, started three: The Swimming Pool Library (Hollinghurst for Rushdie), Left Hand of Darkness (Ursula K Le Guin for James S A Corey), and Next (Crichton for Miéville).

In a few days, when April comes around, I’d have to start The Iron Council (China Miéville), apart from the other books as part of my read-along schedules. I really think I should have one of the Notion templates for planning and tracking my reads.

Sickness and recovery

Last night, as I was winding up my recording session, I felt like I was coming down with something. Yet another virus, likely to have jumped from Jay to me. He does a lot more traveling than I do, now that I have not been a touring musician for about three and a half months now.

To be brutally honest, I have enjoyed the extra time that I have had. It is way more than the time that I would have spent on rehearsals, travel, and gigs. It’s that no-occupancy sign in the part of my brain that needs to manage my duties as a live, cover musician.

And I must admit to myself—the occasional pat on the back that I can approve—that I have made good use of this extra time. Reading more, writing more, and writing more music. I’ve also been able to explore more diverse genres musically, and, as I realized in a conversation with the only one “fan” I seem to have, a close friend who I am able to share my new music with without hesitation, I have been writing songs in genres that I didn’t think I could.

As I was writing this up, Jay lets me know that he’s COVID-19 RAT positive, which means I need to get an RT-PCR done. And I’m off to bed with the hope that my symptoms won’t get worse tomorrow.

Thoughts and wakefulness

The song that I worked on tonight is one of those that I really like singing—especially the choruses and the outro. It’s a new song, maybe two weeks old in totality.

I was excited to start putting it together in the produced form, where I was hoping to get to a darker space with overdriven guitars and cranked up drumming.

As usual, I struggled to get the drum line going—to get the programmed drums to sound close to how it sounds in my head, even with me playing it inside my bead.

Then something fell in place, and I was able to have a good go with my distorted telecaster and souped up P bass. So by the time I’m starting my scratch vocal take, I am in the zone.

But once I laid down the vocal track, I couldn’t have been more disappointed. Such a beautiful song, destroyed by my lack of creativity on the mic.

It’s called Thoughts and Wakefulness.

V1
It’s hard to discard the thoughts
That cling beyond their destined lives
They make you remember how much you
Try to forget them and fail
Your life is colored thanks to
The millions of lenses that occupy
The space between your eyes

PC1
Nothing but some rest and shut-eye
Can get rid of them
Bur even that’s likely to fail
The more you try

C1
(Now) As I write this
I know I’ve managed
To displace them slightly
By thinking about describing them
But they’ll be back the moment
I put my pen down

V2
Links and loops and hoops of memories
Feigning as fresh thoughts
Make you stumble at your doings
Every waking moment
And I’m merely choosing to avoid mentioning
What they might do when I’m dreaming

PC2
But who would really
Know anything true
Because you’re paralyzed by thoughts
On what you need to know

C2
(Now) As I write this
I know I’ve managed
To fend them off lightly
By thinking about describing them
But they’ll be back the moment
I put my pen down
(Put your pen down, put your pen down)

Two balls and recovery

There are two balls in question. One’s big and one’s small, and one’s hard and the other soft. One needs air to be pumped in and the other one usually smashed around using paddles. One’s tang and one’s grey. The reason we’re bothered is that the little one, my quadrupedal stunner, runs from one and behind the other.

The exercise ball has brought me back from limping to running, but the ping-pong ball brings her from lying around to scampering and chatting. Of course, she’s not been hurt, and from her perspective, the exercise ball is a large sedentary animal with long rest periods. It’s a threat because it’s relatively massive.

It’s been fourteen and a half weeks since I went under the knife, and my exemplary physiotherapist tells me that I’m doing so well that I can restart motorcycling. My surgeon doesn’t yet agree. I couldn’t believe what I was hearing.

My joyous disbelief was comparable to my joy on the fourth day after surgery when I realized that I could get out of bed. The same joy when I realized that I could walk out of my apartment and to a part, using just a walking stick. Also when I realized that I was walking without being conscious of my knee.

I truly hope to hear an affirmative overture from my surgeon too.

Discovering Hollinghurst

“How did you learn about Roxy Music, Hollinghurst, and the likes?”

I asked him as we lay in bed after a brunch of fried eggs, toast, Oxford sausages, waffles with gooseberry preserve, and coffee.

“Well, long story. Unlike your generation, we had to solely rely on books and magazines, and it was difficult to get hold of them. I used to pick them up from the road-side vendors.”

He’s more animated than he is usually, and this despite him not feeling well.

“The ones on Causeway and near VT. I would pick up these magazines about music, design, art, fashion, pornography. I guess I must have read about The Swimming Pool Library in one of these. I wanted it and I got it as soon as it became available.”

I ask, “What types of magazines? Stuff like NME and What Hi-fi”?

“Well, not only those famous ones. In fact, most of them were less popular. Not even mass market. The ones that people would buy abroad and bring them back on their flights and would discard them. These vendors would somehow pick them up and put them on sale. I would go with five or ten rupees—you know, whatever it must have cost in those days—in my pocket, and I’d pick as many as I could.”

I could see the passion that once he had, the one that has now seemingly vanished, at least about those things that I care more about these days.

“I’d bring these back and read them cover to cover. And in there would be these reviews of the new books and authors and songs and albums and movies. And I’d note these down mentally, sometimes even make physical notes where I needed to see if I could buy some of the things being written about. The world was on to something, and I was trying to get as much knowledge and information as I could.”

He draws a deep breath, some hurt slipping through.

“You know, my friends would ask me, ‘Why do you care about all of this? These things are not about what’s available here, what you could get. So why even bother? Why are you wasting your money on these?’”

The pain grows deeper and the eyes have lost their shine, and is there a hint of a tear?

“I stopped understanding my friends because of this.”

He takes a pause. He is coughing. There is another virus in the air, apparently. He reaches out to the flask with cold water, opens it, takes a couple of mouthfuls and continues. The water must have assuaged some of the pain.

“Nads was the lone one who I could impress on about my learning,” some pride manifesting.

“He once went to Canada on a vacation. So just before he left, I went over and told him about this wonderful new album by Stevie Wonder. I asked him to get one for me. He did, but he liked it so much that he kept it for himself.”

He smiles and carries on.

“You know, I’d go over to his place and listen to the album. And we’d both listen to it. I couldn’t have enough of I Just Called To Say I Love You.”

“It was a cassette. Then I’d borrow it for a couple days and listen to it, and then bring it back to his place and listen to it. It was crazy to even imagine that we’d done this.”

And then he goes on to his favorite story about discovering his favorite band. That’s the only one of these stories that I’d heard before. I let him continue, enjoying his reliving the joy.

“I was in Darjeeling once and there was this shop that had all sort of things. I was attracted to the boy behind the counter. I thought he was the most handsome man in the world. So I would drop in to the shop twice or thrice every day, just to get a chance to take him in.”

This is where the conversation starter was being referenced directly. I had originally asked him about what he thought about my observation on the characters in Hollinghurst’s books. I thought that they were so much more funny, knowledgeable, and sharp than the average Indian gay man. About food, architecture, art, and sex. About them talking about their attractions to other men and how they submitted to it.

“And one day I saw this album Avalon in a cassette form. I remember slipping it into my Walkman and walking out of the shop. The cassette was fully rewound and I heard those first notes of More Than This. That experience remains with me as clear as day even today. That’s how Roxy Music came into my life.”

“How could you possibly remember about these bands and albums?” I asked, genuinely perplexed by the happenstance of finding something that you wouldn’t know you wanted until you had it.

“One of those books, you know the one that I’m talking about? It was something like The Best 300 albums of All Time or something. I had picked it up from one of these magazine vendors and it was a book I treasured.”

He turns and looks at me with those eyes that let on how he would have liked me to have met his mother.

“My Mom hated me for this. She thought I would spend too much time on this book, you know. I’d be on it as soon as I’d be back after one of these trips to check out what the vendors have to offer. They would sometime even have vinyls, and they were more expensive.”

“So I’d end up choosing about ten records and I’d not have the money to even buy two. So I’d come back home and make a note of the ones that I must-must have, and I’d go back to the vendor. They would offer me a deal for returning a record if I didn’t like it within two days or something, and I could get something in exchange.”

There was a pause and, assuming that he had finished, I said, “You know, it’s not that different. Our generations. I used to go to the British Library and check out these magazines and tabloids and learn about these things.”

He said, “For some reason, my relationship with the British Library was not like this. I never engaged with it like this. I stuck to the street vendors. More raw exposure. Unlike the curated collections in the libraries.”

That seemed like a meaningful end to an interesting conversation, that had started about the overt acknowledgement of the need for more truthful, raw experience in The Swimming Pool Library, which I had started yesterday.

We both readjusted our positions, trying to find a slightly more comfortable situation, just like we must have we were young—trying to learn more about the world surrounding us, despite not having sufficient support from our families and friends in our quests.

A Peaceful Garden

I don’t usually do this, but I’m working on this song tonight. I want to avoid breaking my streak of writing/posting something, and there’s not much time to write anything else.

It’s one of those songs about conversations. I had one with a colleague, who talked about her new life as a mother of a toddler.

V1
What I long for is nothing like I get to do
There’s a new mouth to feed, it’s love that’s bathed in tears
The day is long, longer than it used to be
My path’s the same, but I take longer to my destination

C1
I have love, I have mirth
I have everything and more
I’d been lost, I’ve been found
Now I have everything to lose

V2
The laughs are loud, it’s a chorus built by three
I might have chosen wrong, but the rights are there to fight my fears
The night is young, it’s older than it used to be
The home’s the same, but it’s larger cos he’s here with me

C2
I have joy, I have filth
I have everything and more
I’d been lost, now I have found
I’m left with nothing much to choose

B
The garden of peace is swirling in its dreams
The fountain of love is bubbling with joy

C3
I have faith, but it has no worth
I have everything and more
I have found, but I’ll lose
I won’t have any real excuse
I’ll keep nothing from my muse
You keep nothing from your muse

“Imagine you’re touching your subject…”

I consulted someone at work, someone who I really care for, someone who I’d like to believe cares about me, about tips on improving my sketches and paintings. They are an artist who has had shows of their art, and I had approached them with my little sketchbook with design sketches.

“Sketches and drawing should not have these distinct lines and transitions. Imagine you are touching the subject that you are trying to capture. You can’t feel any lines. Only curves, depths, and transitions. Try to capture that. Softer transitions.”

That made so much sense. Not just because I care for them, but because it is such an interesting way to put it.

The burden of everything

Not often do I feel like I’m doing things right.

Walking miles with a pair of shoes filled with damp sand. A cold, wet towel after a cold shower on a cold night. A heavy, weighted blanket sown over your skin when you are out in the desert.

This evening feels like I’m feeling all of this at the same time.

A trigger that triggered another and so on, and here I am hoping this day would end. I need to kill it, and I need to write before I do. Promises, you see.

I fully expect not to be able to sleep. At least as fast and and as deep I’d like to. And tomorrow is going to be a long, hard day.